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Leigh Brackett Bibliography Meaning

Leigh Douglass Brackett


Here's the story...

In 1944, a young writer of detective and science fiction tales from Los Angeles published her first novel, No Good from a Corpse.

It was good stuff. According to Bill Pronzini, the novel was "so Chandleresque in style and approach it might have been written by Chandler himself."

It impressed lots of other folks, as well. In fact, her dialogue so impressed one of her readers, the Hollywood director Howard Hawks, that he had his secretary call in "this guy Brackett--he'd be good to write the screenplay of The Big Sleep with Bill Faulkner." When "this guy Brackett" turned out to be a young woman, he shrugged off his surprise and hired her anyway. The rest is film history, as Hawks' 1946 version of The Big Sleep, starring Humphrey Bogart and written by Leigh Brackett, William Faulkner, and Jules Furthman, is considered one of the best movies ever made in the genre.

Prior to the appearance of No Good from a Corpse, though, Brackett had already written several short stories, novellas, and even a short novel (The Misfortune Teller) for various pulp magazines of the pre-war era--the most usual forum and proving grounds for aspiring writers of genre fiction at that time. She was a life-long fan of science fiction, and much of her fiction reflected her love of Edgar Rice Burroughs' Tarzan and John Carter Martian stories. Her first published short story, in fact, was called "Martian Quest", which appeared in Astounding Science Fiction in 1940. She also published a handful of crime stories in the pulps, and although she never quite cracked the Black Mask market, it certainly wasn't for lack of quality. Pronzini considers Leigh Brackett "one of the top hardboiled writers of all time." High praise, indeed.

And, as contributor Todd Mason is quick to point out, although Brackett may never have cracked Black Mask, she did contribute frequently and well to such prestigious sci-fi magazines as Thrilling Wonder Stories and Startling Stories, as well as Planet Stories and Astounding, probably the equivalent of Black Mask in the science fiction field.

Alas, after the forties, Leigh rarely returned to writing short crime fiction, although she did treat us to two superb suspense novels, powerful noir stories set in the American midwest, The Tiger Among Us and An Eye for An Eye, in 1957.

A recent reprint of No Good From a Corpse finally also collects all Brackett's crime shorts from the pulps in one fat volume, and includes an intro by Ray Bradbury, a young writer she befriended in the early 1940s and his reminiscence of that period is fascinating. In an equally interesting afterword, Michael Connelly recounts how Leigh put him on the tortuous road to mystery writerdom via another of her screen re-workings of a Chandler masterpiece, The Long Goodbye, and saved him from a life in the building trades.

Leigh Brackett was born in Los Angeles, California, on December 7, 1915. She grew up in her grandfather's house in the (then) small beach community of Santa Monica--by her own admission a "tomboy," constantly at odds with her mother and maiden aunt (her father had died in the influenza epidemic of 1918). She spent her time either in vigorous outdoor activity or reading and dreaming of far lands and distant galaxies. Her mother forced her to attend an all-girls high school, and she developed an interest in the theatre, but early on decided she stood a better chance of becoming a professional writer than an actress.

Her grandfather supported her efforts at selling to top-of-the-line pulp magazines of the day (Argosy and Adventure), but she soon gave up trying to compete with the pros and gambled on Laurence D'Orsay and his agency-cum-writing-course, where her efforts fell into the hands of his reader Henry Kuttner. The rest, as they say, is history: Kuttner criticized her work, introduced her to the science fiction and fantasy literateurs of 1940s L.A., and even got her an agent--his own, Julius Schwartz. Schwartz sold her first story in 1939 and her first novel, No Good from a Corpse, in 1943.

Brackett married fellow science fiction writer Edmond Hamilton in 1946, and they maintained houses in both Southern California and rural Ohio for the rest of their lives. She wrote many screenplays for Howard Hawks, and novels in every genre, most notably science fiction, but also in the Western genre (1963's Follow the Free Wind won the Golden Spur for Best Western). She also found time to write for television, including one episode of the ill-fated Archer show, based on Ross Macdonald's private eye character. Her last work was the screenplay for The Empire Strikes Back, and the film was dedicated to her posthumously. She died in Lancaster, California, on March 17, 1978.


(All crime fiction, unless otherwise denoted)

  • No Good From a Corpse (1944; Edmond Clive)
    Buy this book .. Kindle it!.. Read an excerpt
  • Stranger at Home (1946; ghost-written for actor George Sanders)...Buy this book..Kindle it!
  • Shadow over Mars (1951; aka "The Nemesis from Terra"; science fiction)
  • The Starmen (1952; aka "The Galactic Breed" [abridged]; The Starmen of Llyrdis; science fiction)
  • The Sword of Rhiannon (1953; science fiction)
  • The Big Jump (1955; science fiction)
  • The Long Tomorrow (1955; science fiction)
  • An Eye for An Eye (1957)
  • The Tiger Among Us (1957; aka "13 West Street") .. Buy this book
  • Rio Bravo (1959; western, novelisation of film)
  • Alpha Centauri or Die! (1963; science fiction)
  • Follow the Free Wind (1963; western)
  • The Secret of Sinharat (1964; expanded by Edmond Hamilton, from a short story; science fiction)
  • People of the Talisman (1964; expanded by Edmond Hamilton from a short story; science fiction)

The Secret of Sinharat and People of the Talisman were published together as an Ace Double Novel, and later reprinted together as Eric John Stark: Outlaw of Mars (1982)

  • Silent Partner (1969)*
  • The Ginger Star: Reintroducing Eric John Stark,1 (1974; science fiction)
  • The Hounds of Skaith: Further Adventures of Eric John Stark,2 (1974; science fiction)
  • The Reavers of Skaith: Further Adventures of Eric John Stark,3 (1976; science fiction)
  • The Ark of Mars (n.d.; science fiction)
  • The Jewel of Bas (1990; novella, science fiction)


  • "Martian Quest" (February 1940, Astounding; science fiction)
  • "The Treasure of Ptakuth" (April 1940, Astounding; science fiction)
  • "Child of the Green Light" (February 1942, Super Science Stories; science fiction)
  • "The Sorcerer of Rhiannon" (February 1942, Astounding; science fiction)
  • "Citadel of Lost Ships" (March 1943, Planet Stories; science fiction)
  • "The Death Dealer" (March 1943, Flynn's Detective Fiction; aka "The Misfortune Teller")
  • "Murder in the Family" (March 1943, Mammoth Detective)
  • "The Case of the Wandering Red Head" (April 1943, Flynn's Detective Fiction; aka "Red-Headed Poison")
  • "Design for Dying" (June 1944, Flynn's Detective Fiction)
  • "No Star Is Lost" (July 1944, Thrilling Detective)
  • "Shadow Over Mars" (Fall 1944, Startling Stories; science fiction)
  • "I Feel Bad Killing You" (November 1944, New Detective)
  • "Murder Is Bigamy" (July 1945, Thrilling Detective)
  • "Lorelei of the Red Mist" (Summer 1946, Planet Stories; with Ray Bradbury; science fiction)
  • "The Moon That Vanished" (October 1948, Thrilling Wonder Stories; science fiction)
  • "Queen of the Martian Catacombs" (Summer 1949, Planet Stories; Eric John Stark; science fiction)

Later expanded by Edmond Hamilton to form the 1964 novel The Secret of Sinharat.

  • "Enchantress of Venus" (Fall 1949, Planet Stories; Eric John Stark; science fiction)
  • "The Lake of the Gone Forever" (October 1949, Thrilling Wonder Stories; science fiction)
  • "The Dancing Girl of Ganymede" (February 1950, Thrilling Wonder Stories; science fiction)
  • "Black Amazon of Mars" (March 1951, Planet Stories; science fiction)

Later expanded by Edmond Hamilton to form the 1964 novel People of the Talisman.

  • "The Woman from Altair" (July 1951, Startling Stories; science fiction)
  • "The Last Days of Shandakor" (April 1952, Startling Stories; science fiction)
  • "Shannach--the Last" (November 1952, Planet Stories; science fiction)
  • "The Queer Ones" (March 1957, Venture; aka "The Strange Ones"; science fiction)
  • "So Pale, So Cold, So Fair" (July 1957, Argosy)
  • "The True Death of Juanito Rodriguez" (February 1965, Cosmopolitan)
  • "Toutes les couleurs de líarc-en-ciel" (1968, Fiction [France]; tr. by Bruno Martin)


  • "The Science-Fiction Field" (July 1944, Writer's Digest)
  • "And As to the Admixture of Cultures on Imaginary Worlds..." (1965, Amrav2 #33)
  • "Barsoom and Myself" (1966, ERBania#19)


  • The Coming of the Terrans (1967; 5 novelettes, science fiction)
  • The Halfling and Other Stories (1973; science fiction)
  • The Book of Skaith (1976; omnibus collection of the three Skaith novels; science fiction)
  • The Best of Leigh Brackett (1977; edited by Edmond Hamilton; science fiction)
  • No Good from a Corpse (1999) .. Buy this book

Collects the novel and all her short scrime fiction, as well as an introduc tion by Ray Bradbury.


    Directed by Lesley Selander
    Screenplay by Leigh Brackett and John K. Butler
    Based on a story by Leigh Brackett
    Minor horror flick, strictly Grade B, co-written by two pulpsters
  • THE BIG SLEEP...Buy this video ...Buy this DVD
    (1946, Warner Brothers)
    Directed by Howard Hawks
    Screenplay by William Faulkner, Leigh Brackett and Jules Furthman
    Based on the novel by Raymond Chandler
    Starring Humphrey Bogart as PHILIP MARLOWE
    Also starring
    Lauren Bacall
    Directed by William Castle
    Screenplay by Leigh Brackett
    Based on a story by Eric Taylor
    Another B, this time in the crime genre, based on popular radio show of the time.
    Directed by Howard Hawks
    Screenplay by Leigh Brackett and Jules Furthman
    Starring John Wayne
    Directed by Gordon Douglas
    Screenplay by Leigh Brackett and Steve Frazee
    Directed by Howard Hawks
    Screenplay by Leigh Brackett and Harry Kurnitz
    Starring John Wayne
    Directed by Philip Leacock
    Screenplay by Robert Presnell, Jr.
    Based on the novel The Tiger Among Us by Leigh Brackett
    Starring Alan Ladd, Rod Steiger
    Early vigilante tale, supposedly based on Brackett's own novel. A forerunner of Death Wish.
    (1962, Universal)
    Screenplay by Steve McNeil and John Fenton Murray
    Based on the story "The Girl Who Almost Got Away" by Pat Frank
    Directed by Howard Hawks
    Brackett worked for 4 months on the final version of this screenplay, but got no on-screen credit. (The Screen Writer's Guild classified it as a "polish," not original work.)
    Directed by Howard Hawks
    Screenplay by Harry Brown and Leigh Brackett
    Based on the novel by Harry Joe Brown
    Starring John Wayne
    Directed by Howard Hawks
    Screenplay by Leigh Brackett and Burton Wohl
    Starring John Wayne
  • THE LONG GOODBYE... Buy the DVD... Buy the video
    (1973, United Artists)
    Directed by Robert Altman
    Screenplay by Leigh Brackett
    Based on the novel by Raymond Chandler
    Starring Elliott Gould as PHILIP MARLOWE
    Directed byLawrence Kasdan
    Screenplay by George Lucas, Leigh Brackett and Lawrence Kasdan
    Starring Mark Hamill, Harrison Ford, Carrie Fisher
    Her last screenplay. The film was dedicated to her posthumously. She died in Lancaster, California, on March 17, 1978.


  • "Death of a Cop"
    (May 24, 1963)
    Teleplay by Leigh Brackett
    Story by Douglas Warner
  • "Terror at Northfield"
    (November 11, 1963)
    Teleplay by Leigh Brackett
    Story by Ellery Queen
    (January-March 1975, NBC)
    A Paramount Television Production
    Based on the character created by Ross Macdonald
  • "The Body Beautiful"
    (February 13, 1975)
    Teleplay by Leigh Brackett
    Directed by Edward M. Abrams
  • "The Four Pound Brick"
    (February 21, 1975)
    Teleplay by Juanita Barlett and Leigh Brackett
    Story by Leigh Brackett
    Directed by Lawrence Doheny

Respectfully submitted by Kevin Burton Smith. Special thanks toDennis McMillan and Bob Briney for their help with this page. Portions of this bio are adapted from the flap copy for the 1999 Dennis McMillan edition of No Good From a Corpse, originally published in 1944. Grateful acknowledgement goes to Dennis for letting letting us use it. There's also an excerpt you can read...

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Leigh Douglass Brackett (December 7, 1915 – March 18, 1978) was an American writer, particularly of science fiction, and has been referred to as the Queen of Space Opera.[1] She was also a screenwriter, known for her work on such films as The Big Sleep (1946), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strikes Back (1980). She was the first woman shortlisted for the Hugo Award.


Leigh Brackett was born December 7, 1915 in Los Angeles, California, and grew up there. On December 31, 1946, at age 31, she married Edmond Hamilton in San Gabriel, California, and moved with him to Kinsman, Ohio. She died of cancer in 1978 in Lancaster, California.[2]


Fiction writer[edit]

Brackett first published in her mid-20s; the science fiction story "Martian Quest" appeared in the February 1940 issue of Astounding Science Fiction. Her earliest years as a writer (1940–42) were her most productive. Some of her stories have social themes, such as "The Citadel of Lost Ships" (1943), which considers the effects on the native cultures of alien worlds of Earth's expanding trade empire.

Brackett's first novel, No Good from a Corpse (1944), was a hard-boiled mystery novel in the tradition of Raymond Chandler (The book resulted in her getting her first big screenwriting assignment.) After this, Brackett's science fiction stories became more ambitious. Shadow Over Mars (1944) was her first novel-length science fiction story; though somewhat rough-edged, it marked the beginning of a new style. This was strongly influenced by the characterization of the 1940s detective story and film noir.[citation needed]

In 1946, Brackett married fellow science fiction author Edmond Hamilton. Planet Stories published the novella "Lorelei of the Red Mist", in which the protagonist is a thief called Hugh Starke. Brackett finished the first half before turning it over to Ray Bradbury, so that she could leave to work on the screenplay of the movie The Big Sleep, based on a Chandler novel.

Brackett returned to science fiction writing after her movie work, in 1948. From then on to 1951, she produced a series of science fiction adventure stories that were longer than her previous work, including such classic representations of her planetary settings as "The Moon that Vanished" and the novel Sea-Kings of Mars (1949). The latter was later published as The Sword of Rhiannon, a vivid description of Mars before its oceans evaporated.

In "Queen of the Martian Catacombs" (1949), Brackett created the character of Eric John Stark. Stark, an orphan from Earth, is raised by the semi-sentient aboriginals of Mercury, who are later killed by Earthmen. He is saved by a Terran official, who adopts Stark and becomes his mentor. When threatened, Stark reverts to the primitive N'Chaka, the "man without a tribe", who he was on Mercury. From 1949 to 1951, Brackett featured Stark (whose name echoes that of the hero in "Lorelei of the Red Mist") in three stories published in Planet Stories: "Queen of the Martian Catacombs", "Enchantress of Venus", and "Black Amazon of Mars". With this last story, Brackett's high adventure period of writing ended.

Brackett adopted an elegiac tone in her stories, no longer celebrating the conflicts of frontier worlds but lamenting the passing of civilizations, and concentrating more on mood than plot. The reflective, introspective nature of these stories is indicated in the titles: "The Last Days of Shandakor", "Shannach — the Last", and "Last Call from Sector 9G".

"Last Call" was published in the final issue (Summer 1955) of Planet Stories, which had been her most reliable publisher. After Planet Stories folded, and later in 1955, Startling Stories and Thrilling Wonder Stories, Brackett had lost all of her magazine market. The first phase of her career as a science fiction author ended. She did produce other stories over the next decade, and revised and published some as novels.

A new production of this period was The Long Tomorrow (1955), one of Brackett's more critically acclaimed science fiction novels. This novel describes an agrarian, technophobic society that develops after a nuclear war.

After 1955, Brackett concentrated writing for the more lucrative film and television markets. In 1963 and 1964, she briefly returned to her old Martian milieu with a pair of stories. "The Road to Sinharat" can be regarded as an affectionate farewell to the world of "Queen of the Martian Catacombs", and the other – with the intentionally ridiculous title of "Purple Priestess of the Mad Moon" – borders on parody.

Brackett and her husband shared Guest of Honor duties at the 22nd World Science Fiction Convention in 1965 in Oakland, California.[3]

After another hiatus of nearly a decade, Brackett returned to science fiction in the 1970s with the publication of The Ginger Star (1974), The Hounds of Skaith (1974) and The Reavers of Skaith (1976), collected as The Book of Skaith in 1976. This trilogy brought Eric John Stark back for adventures upon the extra-solar planet of Skaith (rather than his old haunts of Mars and Venus).

Brackett's Solar System[edit]

Often referred to as the "Queen of Space Opera", Brackett also wrote planetary romance. Almost all of her planetary romances take place in the Leigh Brackett Solar System, which contains richly detailed fictional versions of the consensus Mars and Venus of science fiction from the 1930s to the 1950s. Mars appears as a marginally habitable desert world, populated by ancient, decadent and mostly humanoid races; Venus as a primitive, wet jungle planet, occupied by vigorous, primitive tribes and reptilian monsters. Brackett's Skaith combines elements of her other worlds with fantasy elements.

Though the influence of Edgar Rice Burroughs is apparent in Brackett's Mars stories,[4] her Mars is set firmly in a world of interplanetary commerce and competition. A prominent theme of her stories is the clash of planetary civilizations; the stories illustrate and criticize the effects of colonialism on civilizations that are either older or younger than those of the colonizers. These stories have remained relevant for their colonial critique. Burroughs' heroes set out to remake entire worlds according to their own codes; Brackett's heroes (often antiheroes) are at the mercy of trends and movements far bigger than they are.[5]

After the Mariner missions proved there was no life on Mars, she never returned to her solar system. When she started to write planetary romance again in the 70s, she invented a new solar system outside our own.[6]


Shortly after Brackett broke into science fiction writing, she wrote her first screenplays. Hollywood director Howard Hawks was so impressed by her novel No Good from a Corpse that he had his secretary call in "this guy Brackett" to help William Faulkner write the script for The Big Sleep (1946).[7] The film was written by Brackett, William Faulkner and Jules Furthman, and starred Humphrey Bogart. It is considered one of the best movies ever made in the genre.

After getting married, Brackett took a long break from screenwriting. When she returned to screenwriting in the mid-1950s, she wrote for TV and movies. Howard Hawks hired her to write or co-write several John Wayne pictures, including Rio Bravo (1959), Hatari! (1962), El Dorado (1966), and Rio Lobo (1970). Because of her background with The Big Sleep, she later adapted Raymond Chandler's novel The Long Goodbye for the screen.

The Empire Strikes Back[edit]

Brackett worked on the screenplay for The Empire Strikes Back, the first Star Wars sequel. The film won the Hugo Award in 1981. This script was a departure for Brackett, as until then, all of her science fiction had been in the form of novels and short stories. Brackett's role in writing the script is disputed. George Lucas said that he asked Brackett to write the screenplay based on his story outline. Brackett wrote a finished first draft, which was delivered to Lucas shortly before her death from cancer on March 18, 1978. Two drafts of a new screenplay were written by Lucas and, following the delivery of the screenplay for Raiders of the Lost Ark, turned over to Lawrence Kasdan for a new approach. Both Brackett and Kasdan (though not Lucas) were given credit for the final script.

Laurent Bouzereau, in Star Wars: The Annotated Screenplays, said that Lucas disliked the direction of Brackett's screenplay, discarded it, and produced two more screenplays before turning the results over to Kasdan.[8] Some fans, however, believe that they can detect traces of Brackett's influence in the dialogue and the treatment of the space opera genre in Empire.[9]io9's co-founder Charlie Jane Anders has written that while "It's fashionable to disparage Brackett's contributions to Empire", "it's not true that none of Brackett's storyline winds up in the final movie — the basic story beats are the same."[10]

Similarly John Saavedra of Den of Geek website says:

Most importantly, you see that Brackett's draft, while definitely in need of a rewrite and several tweaks, holds all of the big moments we'd eventually see on screen. We still get a version of the Battle of Hoth (a much more ridiculous one), the wise words of an old Jedi Master, the excitement of zooming through a deadly asteroid field, a love triangle (a MUCH more overt one), a majestic city in the clouds, unexpected betrayals, and the climactic duel between Luke Skywalker and Darth Vader that we would reenact on playgrounds for years to come.[11]

Brackett's screenplay has never been officially or legally published. According to Stephen Haffner, it can be read at the Jack Williamson Special Collections library at Eastern New Mexico University in Portales, New Mexico (but may not be copied or checked out) and the archives at Lucasfilm in California.


Short science fiction[edit]


  • "Martian Quest" (Astounding Science Fiction, February 1940)
  • "The Treasure of Ptakuth" (Astounding Science Fiction, April 1940)
  • "The Stellar Legion" (Planet Stories, Winter 1940)
  • "The Tapestry Gate" (Strange Stories, August 1940)
  • "The Demons of Darkside" (Startling Stories, January 1941)
  • "Water Pirate" (Super Science Stories, January 1941)
  • "Interplanetary Reporter" (Startling Stories, May 1941)
  • "The Dragon-Queen of Jupiter" (Planet Stories, Summer 1941), also published as "The Dragon-Queen of Venus"
  • "Lord of the Earthquake" (novelette; Science Fiction, June 1941)
  • "No Man's Land in Space" (novelette; Amazing Stories July 1941)
  • "A World is Born" (Comet Stories July 1941)
  • "Retreat to the Stars" (Astonishing Stories, November 1941)


  • "Child of the Green Light" (Super Science Stories, February 1942)
  • "The Sorcerer of Rhiannon" (novelette; Astounding Science Fiction, February 1942)
  • "Child of the Sun" (novelette; Planet Stories, Spring 1942)
  • "Out of the Sea" (novelette; Astonishing Stories, June 1942)
  • "Cube from Space" (Super Science Stories, August 1942)
  • "Outpost on Io" (Planet Stories, Winter 1942)
  • "The Halfling" (novelette; Astonishing Stories, February 1943)
  • "The Citadel of Lost Ships" (Planet Stories, March 1943)
  • "The Blue Behemoth" (Planet Stories, May 1943)
  • "Thralls of the Endless Night" (Planet Stories, Fall 1943)
  • "The Jewel of Bas" (novelette; Planet Stories, Spring 1944)
  • "The Veil of Astellar" (novelette; Thrilling Wonder Stories, Spring 1944)
  • "Terror Out of Space" (Planet Stories, Summer 1944)
  • "Shadow Over Mars" (Startling Stories, Fall 1944), published in book form as The Nemesis from Terra


  • "The Vanishing Venusians" (novelette; Planet Stories, Spring 1945)
  • "Lorelei of the Red Mist", with Ray Bradbury (novella; Planet Stories, Summer 1946)
  • "The Moon That Vanished" (novelette; Thrilling Wonder Stories, October 1948)
  • "The Beast-Jewel of Mars" (novelette; Planet Stories, Winter 1948)
  • "Quest of the Starhope" (Thrilling Wonder Stories, April 1949)
  • "Sea-Kings of Mars" (Thrilling Wonder Stories, June 1949), published in book form as The Sword of Rhiannon
  • "Queen of the Martian Catacombs" (Planet Stories, Summer 1949), expanded and published in book form as The Secret of Sinharat
  • "Enchantress of Venus" (novella; Planet Stories, Fall 1949), also published as "City of the Lost Ones"
  • "The Lake of the Gone Forever" (novelette; Thrilling Wonder Stories, October 1949)
  • "The Dancing Girl of Ganymede" (novelette; Thrilling Wonder Stories, February 1950)
  • "The Truants" (novelette; Startling Stories, July 1950)
  • "The Citadel of Lost Ages" (novella; Thrilling Wonder Stories, December 1950)


  • "Black Amazon of Mars" (Planet Stories, March 1951), expanded and published in book form as People of the Talisman
  • "The Starmen of Llyrdis" (Startling Stories, March 1951)
  • "The Woman from Altair" (novelette; Startling Stories, July 1951)
  • "The Shadows" ( Startling Stories, February 1952)
  • "The Last Days of Shandakor" (novelette; Startling Stories, April 1952)
  • "Shannach – The Last" (novelette; Planet Stories, November 1952)
  • "The Ark of Mars" (Planet Stories, September 1953), later published as part of the book Alpha Centauri or Die!
  • "Mars Minus Bisha" (Planet Stories, January 1954)
  • "Runaway" (Startling Stories, Spring 1954)
  • "Teleportress of Alpha C" (Planet Stories, Winter 1954/1955), later published as part of the book Alpha Centauri or Die!
  • "The Tweener" (The Magazine of Fantasy and Science Fiction, February 1955)
  • "Last Call from Sector 9G" (Planet Stories, Summer 1955)

After 1955[edit]

  • "The Other People" (novelette; Venture Science Fiction Magazine March 1957), also published as "The Queer Ones"
  • "All the Colors of the Rainbow" (novelette; Venture Science Fiction Magazine, November 1957)
  • "The Road to Sinharat" (novelette; Amazing Stories, May 1963)
  • "Purple Priestess of the Mad Moon" (The Magazine of Fantasy and Science Fiction, October 1964)
  • "Come Sing the Moons of Moravenn" (The Other Side of Tomorrow, 1973)
  • "How Bright the Stars" (Flame Tree Planet: An Anthology of Religious Science-Fantasy, 1973)
  • "Mommies and Daddies" (Crisis, 1974)
  • "Stark and the Star Kings", with Edmond Hamilton (in the collection of the same name, 2005)

Science fiction novels[edit]

Science fiction collections[edit]

  • The Coming of the Terrans (1967)
  • The Halfling and Other Stories (1973)
  • The Book of Skaith (1976) – omnibus edition of the three Skaith novels
  • The Best of Leigh Brackett (1977), ed. Edmond Hamilton
  • Martian Quest: The Early Brackett (2000) – Haffner Press
  • Stark and the Star Kings (2005), with Edmond Hamilton
  • Sea-Kings of Mars and Otherworldly Stories (2005) – #46 in the Fantasy Masterworks series.
  • Lorelei of the Red Mist: Planetary Romances (2007) – Haffner Press
  • Shannach–the Last: Farewell to Mars (2011) – Haffner Press

Science fiction, as editor[edit]

  • The Best of Planet Stories No. 1 (anthology; 1975)
  • The Best of Edmond Hamilton (collection; 1977)


  • The Vampire's Ghost (with John K. Butler), 1945
  • Crime Doctor's Manhunt (with Eric Taylor), 1946
  • The Big Sleep (with William Faulkner and Jules Furthman), 1946
  • Rio Bravo (with Jules Furthman and B.H. McCampbell), 1959
  • Gold of the Seven Saints (with Leonard Freeman), 1961
  • Hatari! (with Harry Kurnitz), 1962
  • Man's Favorite Sport? (uncredited), 1964
  • El Dorado, 1967
  • Rio Lobo (with Burton Wohl), 1970
  • The Long Goodbye, 1973
  • The Empire Strikes Back (with George Lucas and Lawrence Kasdan), 1980

Other genres[edit]

  • No Good from a Corpse (crime novel; 1944)
  • Stranger at Home (crime novel; 1946) – ghost-writer for the actor George Sanders
  • An Eye for an Eye (crime novel; 1957) – adapted for television as Suspicion series episode (1958)
  • The Tiger Among Us (crime novel; 1957; UK 1960 as Fear No Evil), filmed as 13 West Street (1962; dir. Philip Leacock)
  • Follow the Free Wind (western novel; 1963) – received the Spur Award from Western Writers of America
  • Rio Bravo (western novel; 1959) – novelization based on the screenplay by Jules Furthman and Leigh Brackett
  • Silent Partner (crime novel; 1969)
  • No Good from a Corpse (mystery collection; Dennis McMillan Publications, 1999) – reprints the titular novel and eight shorter crime stories.

See also[edit]


External links[edit]

The Brackett-Bradbury collaboration "Lorelei of the Red Mist" took the cover of Planet Stories in 1946.
Brackett's first detective story, "Murder in the Family", was published in Mammoth Detective in 1943.
Brackett's "The Dragon-Queen of Jupiter" was the cover story in the Summer 1941 issue of Planet Stories.
Brackett's novelette "Citadel of Lost Ships" was the cover story in the March 1943 issue of Planet Stories.
Brackett's novella "Black Amazon of Mars" was the cover story in the March 1951 issue of Planet Stories.
Brackett's novella "Shannach - The Last" took the cover of the December 1952 issue of Planet Stories.
Brackett's novella "The Ark of Mars" was the cover story in the September 1953 issue of Planet Stories, illustrated by Kelly Freas.
Brackett's novella "Last Call from Sector 9G" was the cover story in the final issue of Planet Stories in 1955, illustrated by Kelly Freas.
  1. ^Happy 100th Birthday to Leigh Brackett, the Queen of Space Opera!
  2. ^"Screewriter Leigh Brackett Succumbs to Cancer at 60". The Los Angeles Times (obituary). March 24, 1978. Retrieved May 24, 2010.  Quoted at Willick, George C, Spacelight .
  3. ^"They Call Her for Salty Dialogue". Los Angeles Times. December 28, 1965. p. D10. Retrieved March 7, 2011.  
  4. ^Visions of Mars: Essays on the Red Planet in Fiction and Science
  5. ^Valdron, Den. "Colonial Barsoom: Leigh Brackett". ERBzine. 
  6. ^The Women of Space Westerns
  7. ^Howard Hawks (subject) Richard Schickel (director/writer) Sydney Pollack (narrator) (1973). "Howard Hawks". The Men Who Made The Movies. 
  8. ^Perry, Robert Michael. "A Certain Point of View". Echo Station. Archived from the original on 2013-01-02.  
  9. ^Hart, Stephen. "Galactic Gasbag". 
  10. ^"They mocked her "science fantasy." Then she wrote Empire Strikes Back". 
  11. ^"Star Wars: Leigh Brackett and The Empire Strikes Back You Never Saw".